PARIS —
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept behind it Sunday.
Da Vinci’s painting depicts the moment when Jesus Christ declared that an apostle would betray him. The scene during Friday’s ceremony featured DJ and producer Barbara Butch — an LGBTQ+ icon — flanked by drag artists and dancers.
Religious conservatives from around the world decried the segment, with the French Catholic Church’s conference of bishops deploring “scenes of derision” that they said made a mockery of Christianity — a sentiment echoed by Russian Foreign Ministry spokesperson Maria Zakharova. The Anglican Communion in Egypt expressed its “deep regret” Sunday, saying the ceremony could cause the IOC to “lose its distinctive sporting identity and its humanitarian message.”
The ceremony’s artistic director Thomas Jolly had distanced his scene from any “Last Supper” parallels after the ceremony, saying it was meant to celebrate diversity and pay tribute to feasting and French gastronomy. Paris 2024 spokesperson Anne Descamps was asked about the outcry during an International Olympic Committee news conference on Sunday.
